Fuji X-T30

Fujifilm just announced the Fujifilm X-T30, the less expensive version of the X-T3. A few notable differences are for example 4K video being limited to 30fps (60 on the X-T3), the rear screen that just tilt up and down. For USD 900, it looks like a very good alternative if you don’t have the budget for the X-T3.

They also announced the XF 16mm f/2.8 WR. At USD 400, it is a much more affordable and compact wide angle than the 16m f/1.4. Dpreview has a sample gallery. To be available in March 2019.

Instax hack: Wide/Square adapter

Keigo Moriyama on Emulsive explains How to shoot Instax Square in an Instax Wide camera:

One of the characteristics of these [instant film] cameras is that we can choose only one format for one camera.

[…]

The adapter design is a really simple one. Just a few rectangular shapes extruded here and there to fit in both wide and square format.

Keigo then demonstrate the prototype in a video:

It’s interesting to see all the hacks around Instax cameras.

The future is mirrorless

There, I said it. The future of interchangeable lens cameras is mirrorless.

Olympus E-P1 camera

Let’s see why.

The SLR design date back from the film days. A design that allow precise framing using through the lens viewfinder, but that has a somewhat complex mechanical design, increasing cost and size. Today, the film being replaced by an electronic sensor, an instant image can be obtained through the lens. An electronic viewfinder will also be through the lens, with all the advantage of the SLR design, and more. Without the need for that complex and bulky mirror box, the camera can be designed to be more compact.

There are a few reasons why DLSR exists and are still somewhat the de-facto design: trade offs.

The first trade off is that you have to change the lens mount to benefit from a more compact design. This made moving from the older film camera to the digital one is not as easy unless you threw away your investments in glass. This was a perfectly valid point in the last decade, and since the move has happened, the problem persists, even for those that started with a DSLR.

The second trade off is the performance of the autofocus system. DSLR use a phase detection system with sensor located in the mirror box. Something that appear to be problematic on a mirrorless camera, and phase detection AF is more performant than the contrast detection system commonly used by mirrorless cameras. Manufacturers have worked out technology to improve the situation a lot. A small category of users that needs it really needs it still, but we are getting there.

But it is time to make the jump.

The market

Currently only 4 vendors still offer DSLR. Canon, Nikon, Ricoh-Pentax and Leica. Sony hasn’t released a DSLR in a while and given their α lineup (mirrorless), I don’t think they will, Olympus has made the switch to M4/3 a while ago already, Panasonic has been mirrorless only as well also with the M4/3 system, Leica is mostly betting on mirrorless and Fujifilm has been kicking it with the X- series, improving at each generation and the GFX medium format.

In August Canon announced the EOS R, their full frame mirrorless system, while they have a EOS M series that feature an APS-C sensor. They just announced new lenses for that system, so it might stay for a little while. And it is much more affordable as well.

Weeks prior to that, Nikon had just announced the Nikon Z, their full frame mirrorless system, after discontinuing the Nikon 1 which wasn’t really a sensible proposal with its miniature sensor.

As for Ricoh-Pentax life is tough. The Pentax K 01 wasn’t really a success, nor was the Pentax Q that disappeared as quickly as it appeared. And now that it is Photokina, it doesn’t seem that Ricoh had anything to announce in that product line.

If anything, the growth on the market for Sony as proven that mirrorless full frame can be a viable option. Sony is clearly the market leader for full frame and Canon, Nikon and Panasonic wants to try to catch up.

Is full frame the future? I don’t think it will be the only but it will be dominant. Panasonic just announced a full frame mirrorless, sharing the lens mount with the Leica SL, while still continuing with the M4/3, and Sigma who barely has presence in the camera body market has announced they were developing a body for the L-mount. I’m confident that Fujifilm can continue with the X-series without moving away from APS-C, with a more compact system that nails the image quality including in low light, at a price lower than the current full frame lineup. Sony will probably keep some of their APS-C mirrorless until they can bring down the price of the α series down enough.

The medium format has a future too for demanding users, but the price is steep. For example, the Fujifilm GFX 50, a “medium” format sensor mirrorless starts at about US$5,000.

The future

I predict that within 5 years, neither Canon nor Nikon will be pushing DSLR, except maybe in a few niche segments like top of the line sports. The Leica S might survive as Leica just announced the S3 just 10 years after the previous iteration but this camera is already in a very niche segment given it’s price. And some of the manufacturers won’t be left unscathed.

Fujifilm GFX 50R, GFX 100 and f/1.0 lens

Also at Photokina, Fujifilm announced a new camera in their GFX series: the GFX 50R. The GFX 50R is to the GFX 50S what the X-E1 was to the X-Pro1: a more compact version of the 50 megapixel medium format mirrorless, in what they call a “rangefinder style” body (it is not a rangefinder camera). The GFX 50R also has a dual SD card slot. Available in November (2018) for US$4,500. DPReview has the details.

And to double it up, the announcement included news of the development of the GFX 100, a 100 Megapixel successor of the GFX 50S, to be released sometime in 2019, featuring phase detect auto-focus and in-body image stabilisation, as well as 4K video ! But will they solve the problems with such a large sensor? The price is speculated to be around US$10,000.

Hohenzollern bridge, Cologne, Germany.

One more thing. According to The Verge, Fujifilm showed a XF 33mm f/1.0 R lens. F ONE POINT ZERO ! Coming in 2020.

(Updated 2018/09/26: added links to specifications)

Fujifilm X-T3, third of its name

And third time is a charm. Just yesterday Canon announced their fullframe mirrorless, Fujifilm just announced the third iteration of the Fujifilm X-T series, the X-T3. This is not a revolution in Fujifilm’s lineup: it is not a switch to fullframe as they do not have to do that, but an improvement.

I bought a Fujifilm X-Pro1 in 2012, pre-ordering it. This was the first generation camera of the series with all its quirks, and back then there was only 3 prime lenses. The X-series lineup is very compelling with many excellent quality and reasonably priced lenses, all in a relatively compact package, thanks to the APS-C sensor size.

Fujifilm X-Pro1 camera
My X-Pro1 setup in February 2017

I haven’t had the chance to see the X-T3 yet. This is based on spec and reviews.

What does the X-T3 brings to the table? It replaces the now 2 years old X-T2, with a wide range of improvements: a newer sensor up to 26Megapixels and a faster processing unit, with faster autofocus. An improved EVF with a faster refresh rate and higher resolution.

New video capabilities make this camera a good contender in the movie camera segment, with native 10bits 4:2:0 internal recording (sadly in HEVC H265), and 4:2:2 on an external recorder. The headphone jack no longer require the battery pack. 4K 30fps no longer crop, only the 60fps is cropped x1.18. The Eterna film simulation found in the X-H1 has been added as well. Sadly the flip out screen found on the X-T100 isn’t part of the upgrade. Fujfilm, pretty please!

Another interesting feature is the sports shooting mode where the captured image is cropped x1.25 allowing the viewfinder can show the outside of the frame, with a burst rate of 30fps.

Hit

  • Added Eterna film profile
  • 1080p at 120fps, 4K in 30fps full frame and 60fps in x1.17 crop
  • new video recording capabilities
  • Mic and headphone jack
  • Two card slots

Miss

  • No flip out screen, unlike the X-T100
  • No in body stabilisation

A welcome update, I’m now holding off to get the X-T3, mainly motivated with my foray into moving pictures.

Cinema5D X-T3 review.

Fuji X-H1

The rumored Fuji X-H1 is no longer a rumor. This is the new top of the line Fuji X camera from Fujifilm.

Note: I do not have access to one at the moment.

From the Fujiguys:

In summary from this video (after a quick watch):

  • Same sensor as the X-T2 / X-Pro2. Same film simulations, plus “Eterna” (a motion picture film stock) added.
  • 4K up to 30fps, cinema 4K DCI (4096 x 2160, 17:9 aspect ratio) up to 24fps, f-log 8bits 4:2:0 internal recording , adjustable bitrate up to 200Mbps.
  • Still 1.17 crop factor. 120fps in 1080p for smooth slow motion.
  • AF-C tracking speed adjustable with the face detection in 4K.
  • 5-axis in body IS. 3.5mm headphone jack. Mic in.
  • Body is bigger, has a top LCD like on the GFX50.
  • Tiltable 3 way LCD touch-screen (but not flip).
  • Use the same NPW-126 batteries.

Update: Fujifilm Canada product page.
Update 3: DPReview first impression: USD$1900.

The other videos from the Fujiguys for more official information: