Dear Canon, What Happened To Your Innovation? writes Jason Futrill on PetaPixel.
[…] – since the launch of the Canon 5D Mark II way back in March 2008 it has been extremely hard to be genuinely excited about any new cameras you have released. And here is why: the Canon 5D Mark II is, in my opinion, the last truly “innovative” camera you have developed and released.
I had one specific issue with the 6DMkII before the reviews came around to show it was not just the lack of 4K video. Canon is slow to disrupt itself, which mean that competitors are doing it instead. I also love L glass. Still love my 5DMkII for photography. But recently I have gotten more excited about Fujifilm that has been providing its customers new feature through software, high quality lenses, and not afraid to push the limit for video.
You just announced the 6D MkII to update the aging 6D. Nice. Flip screen, dual pixel AF (which mean fast auto-focus in live view mode including video), you got in with the programme. No 4K video, WHAT?
When you released the 5D MkII in 2009, you put the video mode and led the industry and it was so good that it was used to film major TV features. You improved it and spread it through the whole range of EOS DSLR including the entry level Rebels. The 80D is one of YouTube content producers favourite, with a great auto-focus, the flip screen, while still only 1080p.
I know the 6D MkII is a camera for photographers and is definitely not targeted at those that make a living out if it, no doubt about that. But not differently than the 80D. So why not offering 4K for video? I’m sure you are eager to sell one of these EOS Cinema, or more 5D MkIV or 1D that are so much more expensive, but people might actually go with the similarly priced Sony, that has adapters for EF lenses and do 4K. You should disrupt yourself, otherwise you will be disrupted. You could have a very attractive camera for video creators that can’t really or don’t really need an EOS Cinema.
Also let’s talk about the EOS-M or the G series (the G7X MkII in particular), I really hope you next iteration will have 4K. Even Nikon has a 4K compact camera in the same range of the G7X MkII, for less money. Sony has the RX100M5. Even the M4 and its problem did 4K.
And I’ll be honest, had you put 4K on the 6D MkII, you’d have my pre-order right here. Instead maybe I’ll stick to Fuji X series.
Interesting DIY idea, including the use of the PowerShot N that is currently dirt cheap to do that (~130USD$ on B&H) that seem to have been meant to be used like that.
As for the usefulness, I can tell that the way you hold your camera will change the way you see through it – this is why I have totally different results when using my TLR. This is almost like freestyle shooting. And it might bring in question from people – I have had people asking about my TLR when shooting – kind of a conversation starter.