After over 5 years I finally lost the X-Pro1 viewfinder eyepiece that has often been loose (pun intended). I have dropped it a few times in the previous years, including in the first weeks of use. Not sure when this happened but I found out when I was in Cologne, Germany in February. While this doesn’t prevent from using the camera, I think I do need to replace it.
It seems to be a recurring problem amongst X-Pro1 shooters: link, link,
I’m trying to locate a proper Fujifilm replacement, which is part # FZ09210-100. Digging up the forum I get various stories, with a common point: contact Fujifilm. Some say “you have to send the camera in”, some say they got a replacement in the mail (no mention of cost though, but I’m not expecting it to be free since the camera is no longer covered by the warranty).
Popular Photography, the largest circulated imaging magazine that launched its first issue in May 1937 in New York City, has ceased publication after being continuously in production for 80 years. The March/April 2017 issue will be the last in print.
Personally I didn’t read Popular Photography, but in the early 2000 when I became serious about photography I did read two of the major photography magazine in France — they are still in business it seems. I found them very valuable, full of recommendations, images, etc. At the same time, I was already using the Internet and found some other very valuable resources. This is how things are evolving. Traditional magazines are in decline, giving publishers very few options as digital media has taken over. And with the likes of YouTube, things will get even harder in the 21st century for the printed magazines, forcing them to convert or perish. And conversion is possibly too late.
I must say the Auto Focus caused me a few problems at f/1.7 in that I some times unknowingly had been focusing at the background between two main subjects in the foreground that I thought I had nailed the focus on. As time has gone by, I have gotten the hang of it. I think.
Then Overgaard goes on explaining how to use various features of the camera properly. Read thoroughly if you have a Leica Q, or are simply curious.
Fujifilm has unveiled their current lens roadmap. While the lineup is already pretty much comprehensive, a few additions are scheduled for this year, notably a 80mm f/2.8 Macro prime lens, and two X-Mount cinema lens.
2018 will see some ultra-wide and telephoto primes.
It cost me over CAD$600 but I got it back from Fujifilm a week or so after. Kudos to Fujifilm service. At the same time they cleaned up the camera and replaced the back screen glass that had a scratch as well as some of the body.
But 2016 hasn’t been very photographic for me as I haven’t really taken a lot of pictures. I used to carry my camera bag to work, and this year I didn’t. Nor did I post here.
Once upon a time, there was the Leica M8. Then there was the M9. Then Leica called them M, with some obscure “Typ” number next to it. Now the new M-series is the Leica M10. At least that’s logic.
The Leica M10 is the latest installment of the Leica legendary rangefinder camera, digital, using M-mount lenses. Still pricey, still high-end, still with its own style.
24 MPix sensor
Revised menu system
No video mode
Slimmer than the M Typ 240
Yes they removed the video mode that was on the M Typ 240. Another new things: Leica added a control wheel for ISO were the film rewind would (there was nothing on the previous digital M). Also, the preliminary tests show a sharp increase of the image quality.
Last Saturday as I was wandering around in a park in Laval, QC (northern suburb of Montréal) my X-Pro1 decided to stop working, shutter stuck closed — the camera turn on but doesn’t respond to anything ; it will respond to the firmware flash mode triggered by [DISP] + power on. A quick search lead to other people with the same problem and with a a claim of a $500~$800 (USD?) servicing cost. When a X-Pro2 cost CAD$2000, it might be a no-brainer.
The camera is now in the shop, in the hands of Fujifilm Canada technicians, and I should know soon.
In the mean time, back to shooting with the Canon 5DMkII. It is even more sad that my 2005 Canon 20D still work.
It’s an inexpensive archiving system, a highly effective means of preserving the motion picture heritage. Archived 35mm film stock remains stable for centuries under proper climactic conditions. With digital, however, the film industry is discovering that its core assets, its digital motion picture masters, aren’t as permanent as the film stock they’ve replaced.
I have always thought the same about still images, that under the guise of looking more convenient, that digital wasn’t as good as an archival medium.
What about the shoe boxes with pictures from your family members?
What about those lost rolls from unknown artists that happen to be an historic treasure depicting everyday life, like for example: Vivian Maier ?
This is the digital conundrum: we shorted the photographic workflow, we make it “easier” for the photographer, we make sharing more pervasive, but we also made the archival life shorter. Between the cloud services that disappear, recordable CD/DVD that disintegrate over the years, the hard drives that crash, the stolen phones, there is a lot of uncertainty whether your photos are safe or not and whether future generation will see them or not.
Pentax is finally in the full frame DSLR game. Ricoh today announced the new Pentax K-1, a camera that it claims “offers innovations not available in any other DSLR.”
Not sure about the “first in a DSLR” gimmicks though, nothing ground breaking from this camera except that it takes K-Mount — a decade later. As mentioned on twitter by @lamlux, the innovation is HDR on knob….
On paper, the K-1 continues the long-held Pentax tradition of delivering an excellent and well-rounded feature set at a reasonable price – very reasonable when you consider the asking prices of similar models at launch.
The in December 2013, not necessarily and change of heart but more like evidence of the shift of the whole industry Cameras, Goodbye where the iPhone quality reach the one of bigger cameras that don’t have the online features — something that the author found important. A testimonial about camera phones, with the iPhone spearheading, taking over the compact camera market.
I now understand the limitations of this photographic instrument, of which there are few. And I trust and enjoy it more than any other camera I’ve owned.
Yes, even more than my iPhone.
Read the whole essay — six month of use in the field is quite long enough to have a definitive opinion. It feels that Leica managed to make an attractive camera priced not too insanely above of the Sony RX1 (+ EVF to compare). This echoes quite well the early reviews back in June.