I just learned about the NONS SL42, a SLR for Instax Mini film. It’s a US$399 camera, currently out of stock. It has an passive EF mount, a light meter and shoots Instax Mini film.
After reading a few reviews from Emulsive and Phoblographer, this feel it might be a winner. The camera has its quirks, but then the Fujifilm Instax also do, differently.
So why a NONS instead of the Fujifilm cameras? Controls, controls, CONTROLS!
The Fujifilm Instax camera only have auto exposure, some with “creative” modes. Also their lens isn’t very fast, stopped down at f/12.7. With the NONS you get to have much faster and interchangeable lenses. The passive EF allow Canon EF lenses (wide open only) and, with adapter rings, you can use Nikon F, Pentax K, Contax CY and M42 lenses. These adapted lenses offer a tremendous quality for an affordable price on the used market, and with the faster aperture the possibilities are broader..
You can read an interview of the team on phoblographer.com about the design of the SL42. It explain that the number 42 isn’t about the answer to life, universe and everything, but rather because the original plan was to release a camera with a M42 mount, the screw lens mount one used on original Pentax SLR and that other camera makers adopted. It also explain why the switch to EF mount, which is the mechanical mount that presented the best versatility in term of further adaptations, and the story behind the NFE (NONS Format Extender).
I was getting excited. It’s out of stock ; turns out it’s no longer made.
The good news is that NONS decided to followup with the SL645 and SL660 cameras. While the SL645 still take Instax Mini, the SL660 takes Instax Square. At US$499 and US$599 respectively they are a bit more pricey. These new models seems to improve a lot. You pick one over the other depending on the format you want to shoot. There is even a back for Instax Square to use on an Hasselblad CM.
The idea of a more sophisticated camera that supports Instax film isn’t new.
When the Polaroid was created, the goal was to offer instant pictures at a time where even 1 hour photo was a pipe dream. So much that today the term “Polaroid” is still commonly associated with instant photography, even though the company died and later was reborn. The process was used in various areas, from identity pictures, to test shots for exposure in the studio, to document reproduction or slide show preparation. The idea of using a Polaroid on an Hasselblad isn’t some sort of sacrilegious practice, it actually was part of the workflow. Setup the shoot, test the exposure with a Polaroid back and then once everything is fine go one with using the regular film.
Instax becoming popular, the choice of Fujifilm cameras is definitely in the space of consumer: inexpensive and all automated. So alternative started to appear. For example the 2016 MINT InstantFlex TL70 is a dedicated TLR that shoot Instax Mini and comes at US$399. Also Lomography has a range of Instax cameras supporting the Lomographic style, as well as Lomo Graflok, a back for large format. While relegated into a corner product category of what I would call novelty, they represent an incredible venue for creativity associated to the medium of instant photography, and fill the niche of photographers looking for a more flexible tool.