Category: Links

November 2025 Links

Film news

DPReview just confirmed that Eastman Kodak has resumed direct sales of consumer film after more than a decade — This following the release of Kodacolor and the repackaing of both Gold 200 and Ultramax 400.

Trying Aerocolor — Erica Fustero tries Kodak Aerocolor that is sold only by the brand respooling it, even though most of them don’t say it. It’s a 100 ISO colour negative.

Fujifilm

The Complete History of Fujifilm X and GFX Cameras — An almost up to date timeline of the Fujifilm X and GFX line.

Leica

Pope Francis’ One-of-a-Kind Leica Sold for Nearly 100x Its Estimated Value — It’s not a camera that will shoot a lot if at all. It should be noted it’s a film Leica M, not a digital one. It’s serial number 5000000 (five million) so is the Noctilux 50mm f/1.2. It sold for €6,500,000 (instead of the €60,000 estimated)

Pope Francis’s Leica M-A set sells for 100 times its estimate at Leitz Photographica Auction — Same thing but this article also mention the bsck-up Leica M3 of the one gifted in 1958 to Queen Elizabeth II by the President of the Federal Republic of Germany. It sold for only €156,000.

A closer look at some of Queen Elizabeth II’s favorite cameras — The Queen used many cameras. Including one similar to the M3 mentioned above.

Other

Digicams: The Cameras of the Modern Digital Rebellion — About that trend of using old digicams…

Link: First impressions: Lomography LOMO MC-A

I mentioned the Lomography LOMO MC-A recently. Kosmo Foto has had the privilege to shoot with one for a while and now have their first impressions of the Lomography LOMO MC-A.

Lomography is know for cheap plastic cameras that define the style of what people call “Lomography”, a sort of lo-fi photography.

Lomography’s new 35mm compact camera is a world away from simpler cameras like the LomoApparat or the Fisheye No. 2.

As it stands the LOMO MC-A is already on a different trajectory of more premium, with a build quality that feel solid with metal parts, exposure system, autofocus with manual options.

The test rolls seems to show good results. At ₤450 (CA$699) it’s definitely not cheap, but the result seems to be on par. This show the commitment of Lomography to film photography in general, as they also release a new film. Kosmo Foto expects to publish a more thorough review in 2026.

September 2025 Links

Polaroid Versus Fujifilm – How a Court Case Could Change Instant Photography Forever — Seems like a repeat of Polaroid vs Kodak. Just because of the square shape…

From Emulsive, How-to: Make DIY your own black and white transparencies (slides) — Apparently Ilford has an official process with Ilford FP4 Plus, and this article revise it by using a chemical inversion instead of a re-exposure. I always wanted to shoot Agfa Scala. And Adox Scala, its successor, doesn’t seem so easy to find here.

What is a color space? by Dan Hollick. — A clear explanation of what a colour space is. Despite this being part of a tutorial on writing software, it is really not specific to this craft.

August 2025 links

Insider: Fujifilm X-T5 Disassembly and Teardown — Don’t try this at home. IRRecams do modify cameras for IR photography, and this is them looking at the X-T5. But useful if you need a guide to repair.

Kolari Canon EOS R50V Teardown and Disassembly — Another teardown by IR conversion specialists. This time the EOS R 50V.

DPReview Fujifilm X-E5 in-depth review.

Kosmofoto reports that 10Art.CC announces reimagined version of the Polaroid SX-70 — Another interesting take on reviving vintage camera with specific format.

July 2025 Links

Michael Nguyen from Japan Camera Hunter writes about the Plaubel Makina 67, an uncommon medium format 6×7 rangefinder of Japanese-German design from the late 70s, with its specially designed Nikkor lens.

From the colour-film-dept

Kosmofoto reports KONO! announces KONO Color 200 colour negative film, a made-in-Germany colour negative, rumoured to be ORWO NC200.

Also as a follow-up from a previous post, Kosmofoto tells us that China Lucky Film’s new colour film ‘launched in July at Chinese trade show’. Price will be around US$7 and a first batch of 10000 rolls will be produced initially.

Black and white slide

Kosmofoto tell Euston 400 is a black-and-white slide film from London film lab Aperture Printing. If you are in London this is a higher sensitivity film than the Adox Scala with the corresponding chemistry, and they develop it for you. It’s in limited quantity.

Sony RX1R III

Imaging resource: Sony RX1R III Review: A $5,000 Letdown in a Familiar Shell. Lack of IBIS, still the older lens, the lack of tilting screen that the previous iteration had, and the battery life. Because the camera is US$5000.

June 2025 links

Fujifilm

Some Fujifilm reviews around.

DPReview on the GFX100 RF: their comprehensive review of the camera we talked about previously.

Photographyblog got their hands on the Fujifilm X-E5 and the 23mm pancake: Fujifilm X-E5 Review, Fujifilm XF 23mm F2.8 R WR Review, and then they compare the X-E5 with the X-E4.

Misc

WIRED on How Apple Created a Custom iPhone Camera for F1. The short version is that the on board camera for F1 car are not suited for a movie, while they are great for broadcast. So Apple who produce the movie did modify iPhone cameras. They don’t broadcast but the footage they record is much more suited for editing into the rest of the film. The technical achievement at the service of the art. Not the first time, nor the last.

Kosmophoto gives a First look at China Lucky Film’s forthcoming new colour film. I’ll follow-up on this later, but it’s promising to see the development of a new colour film.

Link: Fuji X half 2

I did joke about how the X half announcement would have been better on 1st of April.

The Machine Planet tells us that Fujifilm announces Fuji X Half 2 digital camera:

SATIRICA, N.Y., MAY 22, 2029 – FUJIFILM North America Corporation, Electronic Imaging Division, today announced the launch of its FUJIFILM X Half 2™ premium compact digital camera (X Half 2).

I laughed.

Just making fun because we care, but it seems that the pre-orders are off the charts.

Link: Interview of Fujifilm’s executives about the GFX100RF

DPReview has an interview of Fujifilm executives about the GFX 100RF.

Part of the reasoning is that the GFX100RF is a much more expensive camera than the X100VI, which means it needs to feel more premium. “At the beginning, when we discussed how we should design the camera, we already knew about the price point. So this camera should be more luxurious to match the price point,” said Oishi.

There is one way to avoid the supply problems: make it unaffordable. This sounds tongue in cheek, but the X100VI is still unobtainium, so is the X-M5…, the latter being one of the least expensive models.

A major factor in its luxury design is the top plate, which is milled out of a single block of aluminum—it’s the first time Fujifilm has used this type of manufacturing process.

Later, during the Fujikina event, Yoneda told us that turning an aluminum ingot into a GFX100RF top plate takes around five hours.

For so much I love well built devices, made out of metal, this looks like overkill to make it cost CA$7,000. This doesn’t make it a bad camera, but the law of diminishing returns clearly applies here.

To me, the unique feature of this camera, that also applies with the other GFX 100, is the possibility to shoot in 65:24 (or any other) aspect ratio and still have a large amount of pixels. And the GFX 100RF offers it in a smaller package. Fujifilm could offer the crops in the viewfinder for X-series and I’m sure it would work for many people with about half of the 40 Megapixels that the X100VI do offer.