Tag: Ricoh

Ricoh GR IV

While tomorrow Fujifilm is supposed to announce a new compact camera, today Ricoh just announced the Ricoh GR IV, for release in the fall of 2025.

As the successor of the Ricoh GR III, it’s a lot more of the same. With no apparent fundamental changes, it features a new 26 MPix sensor up from 24.24, 5 axis IBIS, a new lens design (28mm f/2.8 still), some physical control changes, bigger internal memory (53GB) and now only microSD card for the external storage. In addition to P S A M, there is also the Sn exposure mode (Snap Distance Priority AE). It is unclear what it does.

The new dust removal system shows that Ricoh still hasn’t figured out the sealing, so they treat the symptoms. That would be the 8th GR Digital with the problem still present.

In the same announcement the GR III will be discontinued in July, but not the GR IIIx

You can read the Ricoh Europe news release.

It’s good to see that Ricoh is still committed to that market segment that other manufacturers have abandoned.

Update: DPReview has some info too

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Categorized as News Tagged

Pentax 17

I previously mentioned the Pentax film renaissance. Today Pentax announced the Pentax 17 (via DPReview).

This gives the details we didn’t previously have.

It’s a vertical half frame (17 mm wide, 24 mm tall) 35mm millimeter compact camera, with a manual focus fixed prime lens. It has program exposure with a few modes, and built-in flash with sync at 1/125. It will be priced at US$499.95, to be available in late (aren’t we already in the second half?) June 2024.

The manual focusing is zone based, reminiscent of non auto-focus compact cameras, and the viewfinder is parallax corrected, and centered on the lens in the middle of the camera. This is neither a reflex (through the lens) nor a rangefinder.

The body construction has metal, i.e. it’s not a cheap plastic blob. The leaf shutter goes from 4 sec to 1/350 sec, with also a bulb mode. The lens is a fixed 25mm (37mm equivalent) with f/3.5 aperture closed down to a max of f/16. Film advance is mechanic with a lever, so is ISO setting (no DX). The camera uses a CR2 battery for the metering and the flash.

The half frame allow 48 and 72 shots on 24 and 36 exp rolls respectively. If you want to shoot in landscape mode, just flip the camera.

This camera could totally be from the late 1970s, minus a couple of things. According to Ricoh-Pentax, the lens is based on the 1994 Pentax Espio Mini, but using the same attribute as was used on the 1962 RICOH Auto Half

At US$500 I am not sure whether this is right-priced or not.

Link: Pentax film renaissance

DPReview has an interview with the team behind Pentax upcoming film camera:

Everything analog is suddenly cool again, and photography is no exception: There’s an incredible renaissance happening in film photography, led by a generation who grew up never knowing anything other than digital cameras.

Yes. There is room for a few new film cameras that produce quality images (that’s a stab at Lomography). While things are moving in the world of film supplies, not always to the taste of aficionados, the stock of used film camera is just getting older. And older mean breakage, difficult to repair.

The first announcement came in December 2022, but in April 2024, the publication date of the interview, we have a bit more detail. It will be a half frame 35mm camera, vertical, in a compact format. But every other details remain elusive, including exposure modes.

To be continued…

Pentax K-1 full frame DSLR

FINALLY, Pentax (Ricoh) announce a full frame DSLR.

Petapixel announcement:

Pentax is finally in the full frame DSLR game. Ricoh today announced the new Pentax K-1, a camera that it claims “offers innovations not available in any other DSLR.”

Not sure about the “first in a DSLR” gimmicks though, nothing ground breaking from this camera except that it takes K-Mount — a decade later. As mentioned on twitter by @lamlux, the innovation is HDR on knob….

WEX photographic hands-on review:

On paper, the K-1 continues the long-held Pentax tradition of delivering an excellent and well-rounded feature set at a reasonable price — very reasonable when you consider the asking prices of similar models at launch.

We’ll see.

Riffing in the key of Ricoh

Gregory Simpson explains how he found himself to buy a Ricoh GRX.

And, truth be told, when Ricoh released the GXR in late 2009, my impression was one of disinterest. Although I found the idea intriguing (a user replaceable sensor), I didn’t much care for the execution — I simply had no need for any of the camera’s available lens modules.

I you read the other writings from Gregory, you’ll realise he is not a big fan of digital. Yes it is a tool, but the trend of treating digital cameras like consumer electronic let him (and other photographer) disappointed. But…

In actuality, my interest wasn’t fully aroused until a second year passed and Ricoh released yet another new module for the GXR — one with a new sensor designed specifically to take advantage of M-mount lenses.

Read the rest.

Ricoh GRDIII for everyday street shooting

Josh White wrote Ricoh GRDIII: walking to work, or how he feels with using the GRDIII as a street shooter when he walks to work. The GRD is one of these small P&S camera that advanced camera user seems to appreciate. Full control and fast prime lens.

Josh preferred camera seems to be a Leica M9. Here is his conclusion on the Ricoh:

Honestly, I wouldn’t trade my M9 for anything. It’s a beautiful, beautiful camera and it’s easily the best camera I’ve ever used. However, for 90% of the photography I do the GRDIII would be enough. If you’re a street photographer who doesn’t want to break the bank I highly recommend this little Ricoh. Needless to say I’m a big fan.

I personally have a GRDII which is not much different – older sensor, a bit more noise, basically. I have used it a couple of times for street shooting. Honestly I think I should give it more love ; it is time I give it a real ride in that field.

Don’t forget to check Josh’s set on Flickr.

Ricoh GR-D III for street photography

Using the Ricoh GRIII For Street Photography: A Review by Eric Kim (from The Phoblographer):

Without spoiling anything, it is truly the best compact camera for street photography, and everybody who is serious about shooting in the streets should have one. Keep reading to read my in-depth review of the Ricoh GRIII digital.

I have a GR Digital II which is almost the same. The Ricoh GR Digital series have a lot of fans. I believe this family of camera is greatly underrated, maybe because it does not have a zoom making it some sort of pariah for consumers. I have yet to get myself on using it in that situation having used the E-P1 more often. Maybe soon for a more complete review.

12 film cameras to watch

Popphoto has an article about 12 film cameras worth buying right now.

The tragedy in Japan has made the current DSLR market a scary place, making this a perfect opportunity to get (back) into film.

Their list (in alphabetical order):

  • Bronica SQ/SQ-A
  • Canon EOS 1N
  • Canon AE-1
  • Fujifilm GA645
  • Hasselblad 500c/500cm
  • Leica R-series
  • Mamiya 645 Pro
  • Nikon FM10
  • Nikon N80
  • Pentax 67
  • Pentax K1000
  • Ricoh GR-1

It seems to cover all the bases from medium format, compact to reusing lenses from your DSLR. But the most awkward in the list is the FM10 as I think they should have recommended an older model instead, one solidly built. Also notably absent are TLR or 35mm rangefinders like a Bessa.

What is interesting to see is that Ricoh is still in the same line of products with their Ricoh GR-Digital: highly praised compact camera.