I recently talked about the demise of Tetenal, an essential supplier for film photogrpahy.
Good news! Tetenal is being bought by an employee initiative, or to be more accurate, most of the assets to produce and sell again.
Fujifilm just announced the Fujifilm X-T30, the less expensive version of the X-T3. A few notable differences are for example 4K video being limited to 30fps (60 on the X-T3), the rear screen that just tilt up and down. For USD 900, it looks like a very good alternative if you don’t have the budget for the X-T3.
They also announced the XF 16mm f/2.8 WR. At USD 400, it is a much more affordable and compact wide angle than the 16m f/1.4. Dpreview has a sample gallery. To be available in March 2019.
Canon is doubling down on full-frame mirrorless and just announced the Canon EOS RP, a smaller and less expensive RF mount body to be available end of February. Probably the cheapest full frame mirrorless camera on the market. With the 6D MkII sensor it is a lower resolution as the EOS R. There is also an optional extension grip. In video, it still is a cropped 4K mode. In short it is really a less expensive version of the EOS R, a bit like when Canon released the first Digital Rebel (300D) as a cheaper version of the 10D. The price will be USD 1300.
But, and there is a but, it doesn’t come in a kit with a less expensive RF mount lens. The kit options are either the EF 24-105mm F3.5-5.6 IS STM with the EF adapter, or the RF 24-105mm F4 L IS USM. The premium for the kits are respectively USD 700 or USD 1100. Mindboggling.
Also¸ Canon announced 6 new RF lenses due later in 2019. No price yet.
The 70-200 is supposed to be super compact (short). And there don’t seem to be less expensive lenses that would match the EOS RP, unlike 15 years ago when the 300D was released.
The now anticipated full frame mirrorless Panasonic S1 and S1R cameras, whose L-mount is shared with Leica, have been unveiled:
Also some new lenses with the label “S Pro”:
Panasonic says it’s planning to design and develop at least 10 S PRO lenses by 2020 to expand the S Series lens lineup.
Two more firmware updates are planned for the Fujifilm X-T3.
A minor update, 2.10, is already available that allow recording video files bigger than 4GB on XDHC cards.
And in April, Firmware 3.0 will improve Eye-AF, fast tracking and face detect.
This has been Fujifilm’s forte in the X-series: improvements with firmware updates.
Keigo Moriyama on Emulsive explains How to shoot Instax Square in an Instax Wide camera:
One of the characteristics of these [instant film] cameras is that we can choose only one format for one camera.
The adapter design is a really simple one. Just a few rectangular shapes extruded here and there to fit in both wide and square format.
Keigo then demonstrate the prototype in a video:
It’s interesting to see all the hacks around Instax cameras.
The future of film doesn’t look bright.
First, James Cater write Film is Alive!… But it May Have a Terminal Illness, where the author expands on how the tech satellite to film is backwards: minilab and cameras, neither of these are being developed or even manufactured.
Second, the industry is in turnmoil.
The spun-off company that still make Kodak film, Kodak Alaris, is looking to sell its film and paper unit, for a meager $34M, and this shortly after announcing that the just revived Ektachrome 100 slide film would be made available in sheet and 120 format in April, in addition to the currently available 35mm.
Meanwhile, Tetenal, the European film chemistry manufacturer face closure after 172 years of activity. And this is bad news, even after CineStill new chemistry announcement.
PetaPixel has a closer look at Tetenal:
Without Tetenal’s chemistry branch, a lot of photographers, photofinishers, labs, printing companies and even the once so mighty Kodak itself might be left out in the rain, as Tetenal reportedly produces not only chemistry for EU distribution under license from Kodak but directly produces source chemicals for Kodak’s U.S. manufacturing.
Another immediate effect of Tetenal’s demise might be a supply glitch for RA-4 paper chemistry that many labs, finishers, and printing companies rely on.
This does not look good at all.
CineStill has announced a powdered version of their film developers, one for Black & White and one for colour C-41.
Beyond saving on shipping, the price of the kits themselves are more affordable. The Df96 monochrome development kit costs $16.99, while the Cs41 color development kit costs $24.99, $3 and $1 cheaper than the liquid versions, respectively.
The price difference is small, but Living in Canada I can’t easily order liquid film chemistry from US retailers. So should make it easier to ship.