Category: Links

Fuji X round up

Zack Arias take on the Fuji X-T1: Yep. It’s A Fuji (archived from the original).

Conclusion… I have zero regrets about selling all of my Canon gear and going Fuji. Zero regrets.

I have to admit, I’m not a pro like him, ie I don’t shoot for a living (also I’m less talented), but since I have my X-Pro1 I haven’t used the Canon much nor even lusted on any piece of gear for it.

Last week I have had my hands shortly on the X-T1 and the EVF is absolutely so much better than the X-Pro1. Non-withstanding the other advantages. If only I could try it longer.

Also don’t miss his Mystical Marrakech video (on YouTube) that he did for Fuji:

Camera lost at sea, found with SD card intact 2 years later

CBC report on a Shipwrecked camera found underwater after 2 years with photos intact:

A camera lost in a shipwreck off the west coast of Vancouver Island two years ago is finally to be returned to its owner — with the memory card and its images intact.

The camera, we can’t really say it survive, but the SD card still in working order 2 years later. Kudos to the researchers for locating the pictures owner, this is a kind gesture.

This show how robust media has become. Try this with a tape, with film, etc. Unlikely you’d be able to salvage them. On the other hand this doesn’t really mean we’ll be able to read them in 50 years, the problem being to actually access the media.

via m43 Rumors

The Hackers Who Recovered NASA’s Lost Lunar photos

First View of Earth from Moon - reprocessed

Wired has an article on The Hackers Who Recovered NASA’s Lost Lunar Photos :

[…] After the low-fi printing, the tapes were shoved into boxes and forgotten.

They changed hands several times over the years, almost getting tossed out before landing in storage in Moorpark, California. Several abortive attempts were made to recover data from the tapes, which were well kept, […]

Read it all, the effort is amazing. It doesn’t matter how you keep the medium, if you can re-read it or decode it, it is useless.

This is a shape of things to come. What will happen to all of those digital archives? These CD or DVD that will be unreadable because we no longer have the drives, or just decayed, these hard drives with obsolete connectors, which, if they ever start, might still hard to use in a few decades. And then what do we do with these RAW files that the camera vendor refuse to document?

These are all the questions we should remember to ask. The next Vivian Maier might never happen in the era of digital as we might unable to recover the content of the shoe box. Not everybody will have the skills of that team that recovered the NASA photos.

Things about the X-E1

Tim Bray wrote a love letter to Fujifilm:

He starts with the conclusion:

It’s the best camera I’ve ever used: Light, wonderful in the hand, perfect controls, astounding lenses, pleasing pictures. So if you were thinking of buying a Serious Camera, this is totally one of the ones you should look at. Or maybe the X-E2; more on that below.

I’ll let you read the rest.

As an X-Pro1 owner I can tell that almost everything applies to it too.

Thinktank Retrospective 5

Jorge Ledesma call the Thinktank Retrospective 5
The Best Street (Casual) Photography Bag for the Ricoh GR and Companion.

I’ve tried quite a few bags, too many to name, but let me tell that the Thinktank Photo Retrospective 5 has stolen my heart and the hearts of my two primary photographic tools — the Ricoh GR and the Pentax K5 IIs. Its like this: you know how you fall in love with a certain comforter and that’s what you like to sleep in all time. Well, its like that for the GR/K5IIs and the Retrospective 5. I can’t think of any other bag that has all the features that one needs to have while on the field photographing.

While I don’t have a Ricoh GR, I bought this bag over a year ago to use with my Fujifilm X-Pro1 – after having bought the Retrospective 30 – and I love it. It even fits the 5DMkII with the 24-105 or the 40mm pancake.

Retrospective 5 (Pinestone)
Retrospective 5 (Pinestone) by .:fotomaf:., on Flickr – cc by-nc-sa-2.0

Leica X-Vario review

I previously said the Leica X-Vario was a disappointment solely based on the price and the slow zoom lens (and the lack of viewfinder). I think I shouldn’t be commenting on gear like that.

We see some positive reviews flourishing, mostly based on image quality and ergonomics, two of the main reason to use one camera over the other.

Jonathan Slack, a Leica loyal (his words): The Leica X Vario – previously known as Paula:

Despite the yawns from some of the more technically minded on the internet this is pretty much a unique camera – being the only currently available APS-c sized camera with an integral zoom lens (the Canon G1x sensor is rather smaller).
[…]
So it seems to me that at the very least Leica have produced an interesting modern take on a popular design strategy.

And conclude:

However, over the months I’ve rather fallen in love with the simplicity of the X Vario – the logic of the controls is hard to fault, the image quality is really excellent and the fact of it being a simple one-stop package is really compelling.

Simply put he turns this one as the camera he has with him when he doesn’t have any other.

And if someone want to loan one to me, I’ll be sure to be fair with it.

Kodak DCS

The Kodak DCS is Kodak 1991 Digital SLR based on a Nikon F3. Kodak was pioneer in the area and Nikonweb interview James McGarvey who designed these.

Six models were priced from $20,000 to $25,000. A total of 987 units were sold from 1991 to 1994.

But:

Many people in Kodak were reluctant. Some of top management tried to stop our business, but some wisdom prevailed and they did not succeed.

That’s right, they were scared to disrupt their own business. But it got disrupted by the competition and now we see were Kodak is: between the rock and the hard place.

Leica M typ 240 review

Highly anticipated, the Leica M type 240, aka Leica new M as announced in 2012, is starting to appear in the hands of various photographers.

Ming Thein, a Kuala Lumpur based photographer, reviews the new M:

First off: the M 240 is an enormous leap forward ahead of the M9 in every area; in fact, it feels like several generations have been skipped.

He even ask about the relevance of the rangefinder design, whether it is still the best today.

I actually wonder if the appearance of the EVF on an M camera means that the rangefinder’s days may be numbered; the reality is that the system requires very precise calibration, is prone to drift, is limited when it comes to zoom lenses, long lenses or off-center subjects, and is manual focus only. […] Perhaps Fuji is going in the right direction after all.

In my opinion, the Leica is about the rangefinder, but Fujifilm has shown the way to the best of both world with the X100 and X-Pro1, except it is not yet a rangefinder, and is not as accurate as one. But do we need one or do we just need a good focusing system for mirror less systems?

Also read Thein’s B&W with the Leica M Typ 240.

Sony DSC-RX1 Review

James Duncan Davidson reviews the Sony RX1. Gorgeous pictures, very nice website layiout.

His conclusion:

As of February 2013, this camera sets the bar for all compact digital cameras to meet. Finally, after thousands of words, only two more are needed: Highly recommended.

I still believe this camera is too expensive as the full frame sensor is not needed: they could have pulled it with an APS-C sensor and a smaller dedicated lens with a lower price ; and the nickel and diming of not having a battery charger. Not for me, but for the rest I’ll trust the review.