#believeinfilm – Shutterbugging dot Net

July 2025 Links

Michael Nguyen from Japan Camera Hunter writes about the Plaubel Makina 67, an uncommon medium format 6×7 rangefinder of Japanese-German design from the late 70s, with its specially designed Nikkor lens.

From the colour-film-dept

Kosmofoto reports KONO! announces KONO Color 200 colour negative film, a made-in-Germany colour negative, rumoured to be ORWO NC200.

Also as a follow-up from a previous post, Kosmofoto tells us that China Lucky Film’s new colour film ‘launched in July at Chinese trade show’. Price will be around US$7 and a first batch of 10000 rolls will be produced initially.

Black and white slide

Kosmofoto tell Euston 400 is a black-and-white slide film from London film lab Aperture Printing. If you are in London this is a higher sensitivity film than the Adox Scala with the corresponding chemistry, and they develop it for you. It’s in limited quantity.

Sony RX1R III

Imaging resource: Sony RX1R III Review: A $5,000 Letdown in a Familiar Shell. Lack of IBIS, still the older lens, the lack of tilting screen that the previous iteration had, and the battery life. Because the camera is US$5000.

Harman Phoenix II

Harman just announced Phoenix II, the successor of Phoenix, their experimental colour negative film. Phoenix II replaces the “limited edition” Phoenix, improving on colour rendition, and offering more exposure latitude. Available in both 120 and 135.

Don’t have it, so I can not tell. But here is from around the web:

– Petapixel Harman Phoenix II is a Brand-New Color 35mm and 120 Film Stock, presenting the Harman promotional images taken by various early recipients.

– JCH Film News: Harman Phoenix II rises with a few pictures.

– Kosmofoto Harman Technology releases Phoenix II colour negative film, followed up by First rolls: Harman Phoenix II (35mm) and First rolls: Harman Phoenix II (120).

If you liked Phoenix (the red box) then stock up. It is until supplies last.

Previously: New films

New films

To celebrate the 100th anniversary of the camera, Leica announced their own branded film, the Monopan 50. It’s a 50 ISO black & white 35mm film, made in Germany. It has a lot in common with the Adox 50. It is likely to cost US$10 (£10/€12) a roll while the Adox HR-50 is priced at US$7.50 to be available in August 2025. I haven’t found a Canadian price yet.

In February Recently Harman Technologies released the Harman Red. Now Kosmofoto tells us it is being made in 120. Like with Phoenix, it’s always good to see them follow-up on medium format.

Question on the Pentax 17 future

As Kosmo Photo reports that the main designer left Pentax, people are questioning the Pentax 17 future, or more realistically future Pentax film cameras.

Ricoh Imaging has said the Pentax Film Project – which led to the release of the Pentax 17 last summer – is now on hold while it investigates whether there is demand for further new film models.

If the main person behind the Pentax 17, driving the effort of film camera design, left Pentax, is there a possible future for further film cameras?

In the run-up to its release, Ricoh Imaging had said that it was investigating a raft of camera releases that could include a film SLR in due course.

I’m still not convinced that the Pentax 17 is for me. I would love to give it a try, but if I don’t enjoy shooting it, what’s the point? What I feel I might not like with the Pentax 17 is both the scale focusing and the lack of control on the exposure in general. On the other hand what I do like as a differentiator is the half frame vertical aspect ratio (but not its marketing). I do understand the constraints in the design and Pentax commitment, and this is why I hoped that they would develop further film cameras.

My ideal film camera design might be a difficult one in the current market. If it’s a reflex, a choice of mount might need to prevail to have an interchangeable lens camera. If not a reflex, it probably would have to be a fixed lens and have to be a rangefinder; otherwise a coupled rangefinder might mean Leica M mount, which mean relatively expensive glass. It’s one thing to build a camera, it’s another to build a lens system, or rely on out of production lenses. Right now film photography is on borrowed time.

Previously: Pentax 17, Reflex, a new 35mm film camera design

News: TTArtisan to release an Instax camera

TTArtisan is known to produce more budget friendly lenses for a variety of camera, including Fujifilm XF mount and Leica M rangefinder.

Now they are entering the market of the Instax cameras. Since the announcement is blocked by the Instagram wall, I’ll link to Kosmophoto: TTArtisan announces Folding Instant Camera which shoots Instax film:

Lens maker TTArtisan has launched a new folding camera which shoots Instax film.

It’s shooting Instax mini, it seems to be based on the Chinese Seagull 203 folding camera, and the shutter is mechanical.

Price is not available at the time.

Sitting on the curb

New Harman Red

Harman Technologies announced the Harman Red 125.

It’s a 35mm “redscale” negative film in the standard C-41 process. It’s a new emulsion based of the Phoenix colour film. Rated at 125 ISO it can be shot between 50 and 400 ISO for different effect. It comes in a 36 exposure roll.

DPReview has some more info.

Glad to see Harman investing in new films.

Kodak to clamp down on bulk loading

Apparently Kodak Alaris decided to restrict the sale of colour film in bulk, unless you are a movie production.

No more respooling to save on costs, which is what a lot of reseller were doing. Paying US$8-9 for a roll of Ektachrome instead of US$22 from Kodak was a significant saving.

As Kosmofoto reports, Reflx Lab says that its respooled colour film might not last long including the Cine film.

All of this coincide with them being sold to a private equity. Correlation is not causation, but coincidences are rare.

Previously: Kodak price updates and Kodak pauses film production for factory upgrades.